Author :
Abstract
Bu çalışma postmodern edebiyatla birlikte geniş bir uygulama alanına açılan tarihsel üstkurmaca yönteminin fotoğraf pratiğine yansımasını ve örnek uygulamalarını incelemek üzerine yoğunlaşmıştır. Edebiyat ve film alanında örneklerini sıklıkla görmüş olduğumuz tarihsel üstkurmaca, özellikle bellek çalışmaları çerçevesinde yeniden ele alındığında fotoğrafın bu alanda belleği ya da tarihi yeniden oluşturma gibi stratejilerde kullanıldığı görülebilmektedir. Temsil krizi ve postkolonyal eleştiri ile birlikte öznel anlatıların çoğaldığı sanatsal çalışmalarda, yeniden canlandırma (re-enactment), yeniden kurgulama (re-construct) ve yeniden fotoğraflama (re-photograph) gibi müdahalelere olan elverişliliği sayesinde sıklıkla tarihsel üst kurmaca içerisinde kullanılmaktadır. Çalışma, bu bağlamda aynı zamanda fotoğrafın gerçeklik söyleminin tarihsel üst kurmaca ile nasıl değiştiğini ve hangi temsil yöntemlerinde nasıl kullanıldığını da incelemektedir.
Keywords
Abstract
This study focuses on the reflection of historical metafiction method to the photography practice and its sample works which is opened to a wide field of application with the help of postmodern literature. When the historical metafiction, which we have seen in the field of literature and film, is taken into consideration in the context of memory studies, it can be seen that photography is used in strategies such as memory or historical reconstruction in this area. In artistic studies, where subjective narratives have grown, along with the crisis of representation and postcolonial criticism, the photograph is often used in historical metafiction, due to the availability of techniques such as re-enactment, re-constructing and re-photographing. In this context, the study also examines how photography's discourse of reality has changed with historical metafiction and how it is used in the methods of representation techniques.
Keywords
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