Although disability studies are a new field of study, they first began to flourish within the framework of the social mobility of the 1960s. Combined with the mobilization of veterans with various disabilities from the Vietnam War in the 1960s, a disability movement emerged in the United States that emphasized disability identity and rights. With the acceleration of this movement, disability studies as an academic field started and shaped with the struggles of academics who are also disabled within the movement. Perhaps the most important achievement of the disability movement through the Medical and Social Disability Theories that emerged at this point was the redefinition of the notion of “normality olan, an ideology that looks after the disabled and a form of discrimination to which the disabled are exposed. After this definition of “normal yeniden which was reshaped in the 20th century, the bodies and minds outside this definition began to be called as disabled, and this abnormality attracted attention in many platforms, was discussed and condemned and sometimes violently judged. One of these platforms is cinema. The disability in the cinema has taken its place in many main themes and side stories with the characters created and the stories told. Therefore, the cinema of our country was not insensitive about the disability and in many films the phenomenon of disability was dramatized. The 1973 film amb Hump ”gives us important insights in terms of reflecting the structure of Turkish society and its approach to disability in terms of shooting the disability movements in the world. In this respect, this film, in which Fatma Girik and Kadir İnanır played disabled characters, was examined in terms of the Medical and Social Model, and the findings were evaluated in a sociological sense.